The proof
Recoup Records
Our own label and artist run on the same tools we sell.
Recoup Records is our in-house label, and Gatsby Grace is the artist we develop on it. Everything we ship to clients earns its keep here first — the open skills, the agents, and the platform all run a real roster before we ever recommend them to yours.
What runs on it
Every workflow is a real skill.
Release planning
Agents draft and run release campaigns end to end — timelines, assets, and the checklist of who does what before drop day.
release-management
Artist & catalog research
Artist analytics, audience breakdowns, and competitive analysis pulled together into briefs we actually act on.
music-industry-research
Content production
Social videos, short-form clips, and visual content generated from the catalog — the same content engine our clients install.
content-creation
Audience growth
Tracking Gatsby Grace toward the streaming milestones that unlock playlisting and platform tools.
streaming-growth
Operational log
What it actually shipped.
2026-06
A month of content in one session
Generated 35 hook concepts, then a full month of short-form content for Gatsby Grace in a single working session — scripts, captions, and platform formatting batched by the content-creation agent.
content-creation2026-05
14 editorial placements in 90 days
Ran playlist pitching and release planning through the agents across the quarter — 14 editorial placements landed while monthly listeners grew to 45,200 (+12% MoM).
release-management2026-04
Audience briefs we actually act on
Standing artist + competitive research compiled into briefs before every release decision — top cities, save rates, and playlist gaps pulled from the research skill, not a spreadsheet.
music-industry-researchIf a skill can't carry weight on our own roster, we don't publish it — and we don't sell it.